Many people have said that you ca not collaborate cleanly with FCPX, that you ca not keep your media & cache on the server reliably, that you ca not pass projects, and host of other things that, well, just are not true at least as long as you have Jellyfish or ShareStation.. most XSAN's and NAS setups grind to halt and beachballs start to run rampant The Jellyfish and ShareStation are the only two shared storage systems designed from the ground up to be optimized for the bandwidth and FCPX needs to edit in environment. check out this video Scott Simmons did at NAB with us last year .. For the best way to set up your Libraries to work with your Jellyfish ShareStation, check out my tip from this FCPX Virtual User Group Video It will explain pretty much everything you need to know about how to set up your libraries on our storage and how to pass projects to and from editors... The reason for this is, you're about to be making lot of duplicates of your projects, and every time you do, unless you're careful, you'll be duplicating your render files, too —. Color Spaces have been the bane of my existence for years and I have lot of scars on my back With FCPX 10.3, lot of what used to drive me nuts in the color space world has been made workable.. or Tangent Ripple, you can now grade with the 3 way color balls Color Final right FCPX.. With Roles workflow FCPX and number of key plugins, there's really no reason at this point that you HAVE to go to Pro Tools, Logic, or Reaper to do final mix for your film .. Additionally, you can send the in Compound Clip to Motion via Xsend Motion or to After Effects using Ximport AE. Save your VFX Compound Clips to their own Event. While doing your VFX, keep in mind that you can build your own Effects, Titles, Transitions, and Generators Motion and publish them for use FCPX. .
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