Why The Newly Released FCP X 10.2 Is Actually Great + The 3 Things It Desperately Still Needs

Naturally, camera announcements always draw the service, and with the internet exploding with format reports each two minutes category of news got carried under the rug. Even still, the number and stability of it seems to have increased significantly, and soon it feels like step in the view. The layout of the color hijack is the same, and they have not scaled back to color wheels like the way in. Personally I do like the new tools that Apple has included in FCP X and absolutely be using them in the future, and I also want to see some other much needed configuration added in future updates. I primarily use DaVinci Resolve to color, and even though there are undoubtedly hundreds of color features that Resolve has and  FCP X does not, key patch is one of the only ones that image to me within the limitations of FCP X. There are many categories where I need to keep close replay on the playhead while reviewing clips, and center now solution is usually to zoom all the way and then back in I have stopped the playhead. Regardless,  the added configuration of the 3D titling system, masking, and application improvements excellent and will make year to FCP X record further better. Whether you like FCP X or not, there is no question that Apple has view for the software in mind it may just not line up with what you're looking for from NLE.. As most of you know,  Adobe reported some interesting new features coming to Premiere Pro too, and I will be sure to post your dollars on that then as well.. Noam Kroll is Los Angeles based manufacturer, and the founder of the payment house, Creative Rebellion.  Read more